Londs Reuter makes dances to examine her material—its inheritances, its possibilities, and its eventualities.
She is the author of Private Inventory: One Way to Be Accountable to Your Material and is a co-editor of Critical Correspondence with Nicole Soto-Rodriguez.
Londs has received support from New York Live Arts (Fresh Tracks 2014-2015), Danspace Project (Food for Thought), the Knockdown Center (Sunday Service), and Movement Research at the Judson Church. She has been in residence at MANCC (Forward Dialogues 2019), pOnderosa (Queeries Residency), the Space on Ryder Farm, PLAYA Summer Lake, the Ellis-Beauregard Foundation, and Snug Harbor Cultural Center. She has led workshops at the Domestic Performance Agency (curated by Athena Kokoronis), with CLASSCLASSCLASS, at SLEEPCENTER (curated by Sunday School), and at the Brooklyn Studios for Dance.
As a dancer, she has performed in museums for Simone Forti, Assembly Required, and Ceclia Vicuña, in galleries for Abigail Levine, on screens for Sarah AO Rosner and Diana Crum, and on the many illustrious downtown stages of New York for Ursula Eagly, Will Rawls, Perel, Jillian Sweeney, and Katy Pyle/the Ballez.
Londs now lives in Durham, North Carolina where she practices taijichuan and has performed in Joanna Kotze’s BIG BEATS and as a community member in Bill T. Jones’s What Problem.
Londs holds an MA in Disability Studies from the City University of New York.